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The Sony Hack: North Korea's Cyber Assault on føree Speech

Mappe Åbnet: JUNE 6, 2025 AT 09:59 AM
A figure resembling Kim Jong-un watches a scene from "The Interview" on a laptop screen, the Sony Pictures logo visible in the background, symbolizing the motive behind the North Korean cyber attack on Hollywood.
BEVIS

Sony Pictures hit: Hacking nightmare in 2014

On November 24, 2014, employees at Sony Pictures Entertainment in Culver City, [Internal Link Placeholder], [Internal Link Placeholder], woke up to a digital nightmare. When they turned on their computers, they were met by an ominous banner: a skeletal hand adorned the screens with the text: "We have already warned you, and this is only a fraction of our power." The company's network was paralyzed by an extensive [Internal Link Placeholder] attack, a serious form of [Internal Link Placeholder], carried out by the group 'Guardians of Peace.' The incident quickly escalated from a technical crisis to a politically charged cyberwar involving Hollywood's power elite, international tensions, and sending shockwaves all the way to the White House.

Extortion & theft: 100 TB stolen from Sony

Three days earlier, on November 21, senior employees had received a threatening [Internal Link Placeholder] from 'God'sApstls.' The sender demanded 'financial compensation' – a clear form of [Internal Link Placeholder] – to avert an impending disaster. However, the warnings were overlooked in the daily flood of emails. When the [Internal Link Placeholder] attack struck on November 24, Sony's digital infrastructure lay in ruins. The hackers stole over 100 terabytes of sensitive data, including unreleased [Internal Link Placeholder], executives' private emails, and personal information of 47,000 employees. In addition to this massive data theft, the attackers also used Shamoon [Internal Link Placeholder], a destructive digital weapon, to erase data on 70% of the company's computers, effectively removing many traces of their intrusion.

From Fury to The Interview: Satire motive

Amidst the digital chaos, the Guardians of Peace began strategically leaking the stolen data. The war drama *Fury*, starring Brad Pitt, was among the first [Internal Link Placeholder] leaked to pirate sites and downloaded over 1.2 million times in a week. However, it quickly became clear that the main motive behind this extensive cyberattack was the comedy *The Interview*. The film, starring James Franco and Seth Rogen, depicted a fictional [Internal Link Placeholder] attempt on [Internal Link Placeholder] leader, Kim Jong-un. This controversial theme was clearly perceived as a serious provocation by the North Korean regime.

9/11 threats: Cinemas and The Interview feared

The situation escalated dramatically on December 16, 2014, when the hackers issued a new threat. In a video featuring images from the September 11, 2001, [Internal Link Placeholder] attacks, the Guardians of Peace warned that they would "retaliate with 9/11-like attacks against all places showing the [Internal Link Placeholder]" if *The Interview* was released in theaters. This direct threat, mirroring methods used in terrorist actions, prompted major US cinema chains like AMC, Regal, and Cinemark to [Internal Link Placeholder] cancel screenings. Sony, with an investment of $44 million, suddenly found itself with a completed but dangerous film, no distribution channels, and the prospect of enormous financial losses.

FBI: Lazarus Group reveals 'Destructive Tool'

Behind the scenes, the [Internal Link Placeholder]'s cyber unit worked tirelessly to identify the perpetrators of the [Internal Link Placeholder] attack. Analysis of the [Internal Link Placeholder] used showed striking similarities to previous attacks attributed to [Internal Link Placeholder] notorious Lazarus Group, including a 2013 bank hack in [Internal Link Placeholder]. A key detail was the use of the code 'Destructive Target Cleaning Tool,' previously seen in state-sponsored North Korean attacks. On December 19, 2014, the FBI publicly concluded that the cyberattack on Sony Pictures was orchestrated by the regime in Pyongyang as [Internal Link Placeholder] for the [Internal Link Placeholder] satire about Kim Jong-un.

Christmas surprise: The Interview released online

Despite the threats and Sony's initial announcement to scrap the [Internal Link Placeholder], *The Interview* eventually found its way to the audience. On Christmas Eve 2014, the film was surprisingly released digitally via [Internal Link Placeholder] platforms like [Internal Link Placeholder], Google Play, and Xbox Video for $5.99. Simultaneously, independent cinemas showed the film as a symbol of free speech. Moviegoers turned up, some with apprehension. One viewer told *The Los Angeles Times* that it "felt like being in a bad action movie," and that "every time someone stood up, you thought: Is this it?". The film grossed approximately $40 million digitally – an unexpected success, but insufficient to cover Sony's total losses. In February 2015, the company estimated direct costs at a minimum of $15 million, excluding losses from leaked films and reputational damage.

Leaked emails: Racism and arrogance at Sony

While technical [Internal Link Placeholder] pointed towards [Internal Link Placeholder], the leaked [Internal Link Placeholder] revealed another, more human – and less flattering – side of the Hollywood story. Internal documents provided an unfiltered glimpse into the often brutal and arrogant [Internal Link Placeholder]. Emails showed Sony executive Amy Pascal exchanging racist jokes about [Internal Link Placeholder] Obama with producer Scott Rudin. Others revealed Angelina Jolie's demand to replace screenwriter Aaron Sorkin on a David Fincher project, allegedly because she thought he "smelled." These embarrassing revelations created a [Internal Link Placeholder] storm that temporarily shifted focus from the [Internal Link Placeholder] case itself to Sony's internal problems. For the 47,000 employees whose sensitive personal data – including social security numbers, salary information, and psychological evaluations – were disseminated online, the consequences were severe. Many became victims of [Internal Link Placeholder], and in 2016, Sony reached a settlement of up to $8 million in compensation for those affected.

Cyberwar turning point: Sony's security flaws

The Sony [Internal Link Placeholder] case is considered a turning point in cybersecurity and cyber [Internal Link Placeholder]. It was the first time a nation-state was officially [Internal Link Placeholder] of using such destructive hacking as a political weapon against a private company. The attack also exposed shocking security flaws at Sony. Internal documents showed that the company had ignored previous warnings about vulnerabilities. [Internal Link Placeholder] were stored in a folder named 'Password,' and simple codes like '12345' were used on critical systems. Subsequently, Sony implemented comprehensive security improvements, including mandatory two-factor authentication, advanced [Internal Link Placeholder] detection, and more frequent audits. But the damage was done. An employee stated: "Our most private conversations were suddenly public property. It felt like being assaulted in your own home."

Artistic freedom at risk: Lasting consequences

Perhaps the most lasting consequence of the Sony [Internal Link Placeholder] case is its impact on artistic freedom and its limits. *The Interview* became a [Internal Link Placeholder] icon – not for its comedy, but as a symbol of free speech under digital pressure from an authoritarian state. The [Internal Link Placeholder] illustrated how geopolitical tensions now play out in the digital arena, affecting the global entertainment industry in Hollywood. The incident left an industry that must balance creative freedom against the risk of digital reprisals. Filmmakers must now, in addition to reviews, also consider potentially dangerous reactions from nations that feel offended. As Seth Rogen, co-creator of *The Interview*, reflected: "We thought we were making a silly comedy. Suddenly, we were in the middle of an international game of [Internal Link Placeholder] – and our jokes had real world-political consequences."

Sources:

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Susanne Sperling

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